〈美麗島之台灣夢〉呈現在自由的風下，揚起海浪；在眾多山陵間，開出屬於台灣的花，以台灣孔雀燈、招牌、鐵皮浪板等台灣常用素材搭建這座被壓迫卻開展的花朵。而貨櫃隧道中穿插了台灣各時代的詩詞，並結合拍謝少年的歌曲「暗流」，使作品成為裝置型的展覽空間，讓觀者穿梭於空間中，在其中閱讀、聆聽。

作品名稱以「美麗島」為開頭：字面上即是一個美麗的島嶼。如果我們去理解台灣人的歷史，會發現台灣人才剛認識過往的自己。閱讀出身在不同時代的詩人之創作，都反映了不同時期人們對於台灣的想像，此作品希望呈現：在台灣這個美麗島，我們共同做了什麼樣的夢。

詩歌（依作者筆畫排序）

Cidal Talod 嚴毅昇 〈神木——致敬高一生〉
朱約信 〈歡迎烏名單〉
李敏勇 〈國家〉　
張冬芳 〈悲哀──贈張國雄君之在天之靈魂〉
陳秀喜 〈臺灣〉
陳昌遠 〈車過美麗島站〉
陳黎 〈美麗島站．二ＯＯ八〉
黃粱 〈為臺灣祈禱〉
楊牧 〈悲歌為林義雄作〉

作品介紹、詩歌文本下載：**https://hoarih.pse.is/8gtdcb**

The work creates a space where the wind blows freely and stirs up the waves. Amid countless hills and mountains, uniquely Taiwanese flowers bloom.
Constructed with materials commonly seen in Taiwan, such as peacock (fan-shaped) decorative
lights, signboards, and corrugated metal sheets, the work features flowers that bloom despite
oppression. Inside the container tunnel, Taiwanese poetry from different eras is interwoven with the song Undercurrent by the band Sorry Youth.
This installation serves as an exhibition space, inviting visitors to read, listen, and roam within it.
“Formosa” does not only refer to “beautiful island (Ilha formosa)”, but also a name deeply embedded in collective memory-evoking a familiar MRT station, widely sung folk songs, and a prominent historical event in Kaohsiung. By beginning the title with “Formosa,” the work seeks to position the term as a living narrative, continually told and reimagined.
If we trace the history of the Taiwanese people, we will find that poets from different eras have reflected their generations’ visions of Taiwan. Through reading, we embark on a journey to rediscover our past selves. This work seeks to evoke the dreams we have shared on this beautiful island of Taiwan.